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The school supplies sheets, pillow, blanket, towel, and face cloth as part of the linen purchase.
It is suggested, however, that you bring a drinking cup and bar of soap.
In addition to our usual evening shows, we have some terrific activities of interest to all singers.
If you're interested in attending Youth Harmony Camp, either as a individual, a quartet, an ensemble, a chaperone, or as the director of an ensemble, simply register your group here: You may include the entire ensemble in a single registration.
There is special package-pricing for quartets and their chaperone (4 1).
It’s very challenging to me to be sure that they’re legal. “Yesterday I Heard the Rain,” a 60s ballad; “Africa,” that’s our most modern song; “It’s A Good Day”; “Chapel of Love”; “Pennies From Heaven”; “Could I Have This Dance,” by Anne Murray, 1980; “I Don’t Know Enough About You,” from the 40s.
We want to be very comfortable with not stepping on copyrights. Greason: Here’s what we’re singing currently, “Five Minutes More” by Frank Sinatra; “Blue Skies”; “Get Happy,” the Gaither Vocal Band medley, kind of spiritual; “59th Street Bridge Song” … There’s also “Hallelujah” by Leonard Cohen, that’s pretty new also; “The Bare Necessities” from The Jungle Book; and we have a few we haven’t learned yet.
In a recent telephone interview from her home in Brunswick, Maine-ly Harmony director Kathy Greason took time to fill me in on her group’s upcoming performance at Jewett Hall Auditorium on the University of Maine at Augusta campus. Date: Sunday, March 11 Venue: Jewett Hall Auditorium, University of Maine at Augusta Address: Academy Drive, Augusta Tickets: $10 adults, $5 students, free for children younger than 12 Phone: 621-3551 Website: Q: I understand that you have performed at Jewett before? I loved the acoustics and stadium seating; there’s not a bad seat in the house.
Greason: The challenge for us is sometimes there’s a grand piano on the stage and we have to put up our risers, so the stage can be just the right size or it can be a little bit small. Greason: Yes, it’s a barbershop chorus; it’s not a barbershop quartet. Q: As far as material, what do you draw upon for the music that you perform?
Greason: Well, we call it by the same names that the men call it: tenor, which is the highest voice; lead, which sings the melody; baritone, which fills in the chords; and bass, which sings the lowest notes. Greason: In our chorus we have three tenors, we have about 12 or 13 leads, and then we have six or seven baritones and six or seven basses — and we wouldn’t mind seeing more basses because the balance of parts is sort of from low to high, more to few, but you never want to lose the melodies so we have some extra leads. It’s an ear hobby, you get to listen while you’re singing and that’s part of the fun. Q: Could you give me a little background on the Back Bay Four?
And the ranges are kind of as you described them, except the bass is lower than most choral music for women. Q: Do you do much performing over the course of a year? We have a Christmas repertoire that we use, and I would say, on average we perform about 12 times a year, but that’s more than concentrated at Christmastime. Greason: I went on their website in anticipation of your asking me a few questions about them.
Q: Because you aren’t using the piano anyhow, correct? Greason: Well, we sing arrangements of old songs and new.
Greason: Right, unaccompanied a cappella is what we do. There are lots of resources out there, arrangers in this barbershop style. Greason: I do, but it’s incidental — not for the chorus to sing.